
Still Growing - What Holds Series
Still Growing - What Holds Series
This work explores growth as a system rather than a symbol.
Derived from the abstracted tree forms developed in Her Revival, this piece isolates structure—branching logic, interruption, and continuity—removing the figure to focus on the environment that shapes it.
Powder-coated steel lines cut through the composition, acting as both framework and resistance. Reclaimed ceramic tiles—hand cut and wet-saw cut—fill the negative space, each piece carrying material history and variation. The work relies on contrast: rigid and organic, controlled and adaptive, precise and imperfect.
The composition reflects how growth actually occurs—not linearly, but through collision, redirection, and constraint. Structure does not resolve chaos here; it holds it.
Created shortly before a period of extended recovery, the work reads in hindsight as architectural intuition—mapping thresholds before they were crossed.
I continuously respect the juxtaposition of organic and industrial design. I share the why behind Mercedes Austin Art in this blog with more images and influences for this piece.
About this piece:
- 18” Width X 18” Height
- Set in a Black and Emerald Frame
- Handmade Subway Tile meticulously wet saw cut to contour the curves
- Premium Mosaic Pieces hand cut
- Reclaimed Subway Tile
- Powder Coated Steel
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This work explores growth as a system rather than a symbol.
Derived from the abstracted tree forms developed in Her Revival, this piece isolates structure—branching logic, interruption, and continuity—removing the figure to focus on the environment that shapes it.
Powder-coated steel lines cut through the composition, acting as both framework and resistance. Reclaimed ceramic tiles—hand cut and wet-saw cut—fill the negative space, each piece carrying material history and variation. The work relies on contrast: rigid and organic, controlled and adaptive, precise and imperfect.
The composition reflects how growth actually occurs—not linearly, but through collision, redirection, and constraint. Structure does not resolve chaos here; it holds it.
Created shortly before a period of extended recovery, the work reads in hindsight as architectural intuition—mapping thresholds before they were crossed.
I continuously respect the juxtaposition of organic and industrial design. I share the why behind Mercedes Austin Art in this blog with more images and influences for this piece.
About this piece:
- 18” Width X 18” Height
- Set in a Black and Emerald Frame
- Handmade Subway Tile meticulously wet saw cut to contour the curves
- Premium Mosaic Pieces hand cut
- Reclaimed Subway Tile
- Powder Coated Steel

